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Oil & acrylic on canvas
32 x 42.2 x 5.9 cm framed
Signed on verso
Presented framed only in a bespoke handmade Sapele timber frame (sustainably sourced) with a dark walnut stain, clear lacquer finish, and a split baton hanger. Framed by Darbyshire.
Proof of provenance is included with the artwork.
Part of Eric Haacht's exhibition collection titled 'The End of Matter'
Exclusive to Smithson Gallery
10 payments | 10 months | No interest
Like diary entries, Eric Haacht creates paintings on a daily basis. The energy and essence of which synchronise with his circadian rhythms, as well as the ocean that ebbs and flows outside of his studio window. Initially entertaining grand notions of this collection existing as a separate entity that transcends his everyday practice, the paintings emerge instead as a continuation of the quotidian – a humble snapshot of the temporary moments and transient states of Haacht’s day-to-day existence.
“My paintings are like diary entries in the sense that it is a daily practice of trying to trap my subconscious, or trying to lure it out through paint.”
— Eric Haacht
Artwork shipping costs are calculated according to artwork size, framing and delivery location using our dedicated art courier, as below:
UK — £35 flat rate
Europe* — £95 flat rate
Rest of World* — £150 flat rate
We take our responsibility of caring for the artworks very seriously, and whether framed or unframed we package artworks with the utmost care and protection using high quality sustainable materials.
*When a package is shipped internationally, it may be subject to import taxes, customs duties, and/or fees imposed by the destination country. These charges will typically be due once the shipped goods arrive at the country of destination. Such charges are not included in the product price or shipping and handling cost. These charges are the buyer’s responsibility as we are only charging the transportation fee for your order.
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